This article 3 idiots screenplay pdf about the Danish film. 1998 Danish comedy-drama film written and directed by Lars von Trier.
It is among the first films to be shot entirely with digital cameras. A seemingly anti-bourgeois group of adults spend their time seeking their “inner idiot” to release their inhibitions.
They do so by behaving in public as if they were developmentally disabled. At a restaurant, patrons are disturbed by the group’s mischief, but single diner Karen develops an appreciation of their antics. The members of the group refer to this behaviour as “spassing”, a neologism derived from “spasser”, the Danish equivalent of “spaz.
Karen takes a ride in a taxi cab with the people from the restaurant, and she finds herself at a big house. The “spassing” is a self-defeating attempt by the group to challenge the establishment through provocation. Stoffer, at his birthday party, wishes for a “gangbang”, and both clothes and inhibitions are soon discarded.
Then when Stoffer calls for the group members to let idiocy invade their personal daily lives, Karen takes up the challenge. She takes Susanne back to her house, where they are greeted by surprise by Karen’s mother. Karen attempts to spaz in front of her family by dribbling the food she is eating, but this results in a violent slap from her husband, Anders.
Karen and Susanne leave the house. The Idiots is a co-production of companies from Denmark, France, Italy, the Netherlands, Spain, and Sweden. The confession of a Dogme 95 film is an idea adapted by Thomas Vinterberg in the first Dogme 95 film: Make a confession if there were things happening on the shoot which are not in accordance with the strict interpretation of the Dogme 95 rules.
It is written from the director’s point of view. All in all, and apart from the above, I feel to have lived up to the intentions and rules of the manifesto: Dogme95.
In order to not violate Dogme 95 rule 2, forbidding the use of non-diegetic music, a harmonica player was recorded during the shooting of some scenes, including the end credits, even if he is not seen onscreen. The Idiots provoked a storm of publicity and debates, one of which was about the fictional representation of disability. Film critic Mark Kermode’s reaction was to shout “Il est merde!
Cannes, a spontaneous review for which he was ejected from the venue. Channel 4 aired the film unedited in 2005 as part of the channel’s “Banned” season exploring censorship and cinematic works.