Musei Wormiani Historia”, the frontispiece from the Museum Wormianum depicting Ole Worm’s cabinet of curiosities. A male Narwhal, whose tusk, as a Unicorn horn, cabinet of natural curiosities pdf a common piece in cabinets. Renaissance Europe, yet to be defined.
The Kunstkammer was regarded as a microcosm or theater of the world, and a memory theater. The Kunstkammer conveyed symbolically the patron’s control of the world through its indoor, microscopic reproduction. Of Charles I of England’s collection, Peter Thomas states succinctly, “The Kunstkabinett itself was a form of propaganda” Besides the most famous, best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of science in Europe formed collections that were precursors to museums.